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Audi magazine featuring Isaie Bloch - 3D printing, New applications in fashion

January 18, 2013, 1:29 am
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NOTE: None Of the dresses shown in this article were 3dprinted. Neither were these designed by me. All of them were picked out of different collections by Iris van Herpen with whome I have worked on several sculptures as the skeleton dress (Capriole collection) and the cathedral dress (Micro collection).
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Iris van Herpen & Isaie Bloch - Voltage couture show Paris - 3D printed jewelry

January 22, 2013, 12:19 am
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Eragatory winner of the januari i.materialise challenge

January 22, 2013, 12:26 am
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Iris van Herpen & Isaie Bloch - Voltage couture show Paris - 3D printed jewelry

January 24, 2013, 9:15 am
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Eragatory at Black Balloon - Designer Days

March 15, 2013, 8:49 am
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Chroma - Ceramic 3D prints

May 12, 2013, 4:33 am
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Considering the reduced definition after glazing, these vases/milk jugs deliberately revolve around a certain degree of ornamental saturation which can endure the possibility of a lost in detailing or uneven distribution of the glaze while keeping its precise aesthetics. The delicate juxtaposition of the slick outer shell and its rough tactile ornated canister combines best of both worlds in terms of what ceramic printers can fabricate while keeping in mind that the material is the only food safe product and thus should be used for that characteristic.


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3D printed 18 kt gold plated Cutlery set

June 7, 2013, 2:39 pm
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Cutlery refers to any hand implement used in preparing, serving, and especially eating food.


Aside of the functional aspect of tableware, silverware has always been and will perpetually be an ornamental figure. Conceived to pleasure the eye while fulfilling one of our most primary needs of food consumption and or squander. Cutlery is unique in its ability to sustain time and carries a remarkable family heritage. Sets of knifes, spoons, forks have been passed on from generation to generation all over the globe, traveling the whole world as a piece of personal history. Key elements while designing this set was the notion of decay/processing, ornamental and aesthetic excess as in former rococo and barock times, moments of collapse/disequilibrium and a balance in between etiquette dining and painful torture tools. By subverting the logic of perfection and beauty, non-perfect images coming from controlled methodologies were generated. What used to be about mastering the result of a non-perfect process is now about the production of monstrosity and the grotesque throughout very accurate mechanisms, like 3d printing. Which creates an unlimited range of possibilities concerning material usage, design approaches/aesthetics and form production.



Dimentions: 

fork - 26 * 187 * 16 mm
spoon - 42 * 188 * 17 mm
thee spoon - 30 * 137 * 13 mm
knife - 29 * 219 * 14 mm

Production material: 925 sterling silver or 18kt gold plated brass


for sale at Imaterialise and Shapeways

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Smudge

June 26, 2013, 12:55 am
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Medium: 
3D printed SLS polyamide inner wireframe structure, MDF, PUR, polester putty, nackre varnish

Dimentions: 
195 x 19 x 23 cm

Don't hesitate to contact me if you want to enquire about this item or if you would be interested in purchasing this design.
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Rocky

August 5, 2013, 7:06 am
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9th Archilab / Naturalising Architecture - Les Turbulences ft. Eragatory

September 10, 2013, 9:29 am
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vote Eragatory / Isaie Bloch as Artist of the year @ 3d Printshow London

September 27, 2013, 10:41 am
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Eragatory WINS Artist of the year Award @ 3d Printshow London

December 27, 2013, 9:15 am
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There is a long tradition of artists making works “after” the works of their forebearers. Although utilising advanced, technological tools (e.g. 3D software / 3D printing), I am, in a way, working within that great tradition. I do not feel, however, that this project owes much to ‘appropriation’ and those contemporary artists whose works have been labeled as such.
I am searching for a way to make something equally revolutionary. I have set for myself the task of creating a new sculpture that is ‘technically unachievable by artisanal methods’ and ‘more perfect’ than the original Grecian Satyr bust – an icon of Roman and Greek sculpting.


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Karosta [KUBE] Imagery

January 17, 2014, 11:18 am
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Karosta [KUBE] winning proposal. Collaboration between Gilles Retsin & Eragatory

January 17, 2014, 11:23 am
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Karosta is defined by discrete urban objects or artefacts, like the church, the manège, the water tower and the soviet era blocks - this proposal adds a new object with radical social agency to the town. The proposal deliberately maintains the existing garages and storage spaces located on the site. A new volume is inserted, reinforcing the social structure of the garages. The volume contains a kantine which compensates the lack of a café or gathering space in the town. The main volume also contains a youth centre / day care which is specifically focused on the many young families which are attracted by the low rent in Karosta. On the ground floor, some garages are turned into a “make space” which offers tools, machines, storage and education to the locals. Locals can rent equipment or use more expensive and specialised tools in the workshop itself. The existing garages around the new volume can develop over time on private initiative into shops, cafés and market spaces.

The proposal suggest that more high-profile functions as a museum or conference centre are better situated in some of the abandoned tsar-era buildings which are found practically everywhere in Karosta. This would help to protect the historic fabric and is more budget-friendly.


The formal language of the volume enters a dialogue with the old bunkers at the coast in Karosta . The use of concrete and gold refers respectively to the materiality of the soviet blocks and the church. 


This project is a collaboration between Gilles Retsin& Eragatory


click here for more
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pi][ar

May 25, 2014, 2:53 pm
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Dichotomy / In progress

June 4, 2014, 9:35 am
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Bricolage - End of year show / Gilles Retsin - Isaie Bloch / UEL UNIT6

June 23, 2014, 12:56 pm
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Medium:
Birch plywood, Kiln dried softwood, CNC milled HDF, Clear Casting Resin, Steel base

Dimentions:
app. 895 x 385 x 90 cm

In collaboration with:
Gilles Retsin, UEL, Diploma Unit6


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Block42 - Architectural competition entry - Belgrade/Serbia

September 29, 2014, 1:05 pm
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This is a competition entry for a transportation hub, shopping center, hotel and office towers on the site of Block 42 in Belgrade, Serbia.


The proposal makes use of an existing highway and flyover which divides the site in two, turning it in an opportunity for the design, instead of a barrier. Through inhabiting the space under the highway and extending it with a designed wing-like figure, both the bus station and shopping are organised. At the same time, the wings organise bus docking stations and frame public space.


The project makes maximal use of the space underneath the flyover and existing railway infrastructure, while at the same time adding a distinct star-like feature as main foyer and circulation space in front of the flyover. Facing a new public square and drop-off zone, the star develops a monumental character on the scale of the city and becomes a clear and recognizable symbol for the Block 42 site.



The office and hotel functions are distributed in four mega-objects, huge autonomous mass punctured by a central atrium space. One of these objects is a 143-meter tall tower, on the triangular spot next to Block 42. The objects are on one side connected to the public spaces, and on the other side interrupting the wing-figure podiums. The volumes are articulated with a fibrous steel structure which develops between a regular and a noisy character in different parts of the building.



A fluid landscape reacts on both the wings and the impact of the objects, distributing walkways, different kinds of pavement and green areas.
The project contrasts concrete solid strata with linear steel rods. The four main volumes are articulated with fine steel-glass facades, whereas the wings are concrete roofs over a glazed ground floor level. The star object combines these two languages within one building, transitioning between solid concrete panels and fine steel rods.

Competition team: 
Isaie Bloch, Soomeen Hahm, Igor Pantic, Gilles Retsin, Lei Zheng
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Bartlett GAD Bpro show - Exhibition design

October 11, 2014, 9:42 am
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Special thanks to:

RC1 Alisa Andrasek, Daghan Cam
RC2 Moa Carlsson, Isaie Bloch
RC4 Manuel Jimenez Garcia, Gilles Retsin
RC5 Philippe Morel, Guan Lee, Thibault Schwartz
RC6 Daniel Widrig, Stefan Bassing, Soomeen Hahm

All the GAD students
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Floating Mass

November 30, 2014, 4:52 pm
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